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This Too Shall Pass by Julia Samuel review – how to cope with change

In a sequel to Grief Works, the therapist guides us through major life changes in work, love, identity and health

The Voice in My Ear by Frances Leviston review – sly, truthful stories

A series of infuriating mothers and difficult daughters populate a poet’s captivating first collection

The best recent science fiction and fantasy – review roundup

The Rearranged Life of Oona Lockhart by Margarita Montimore; The Lost Future of Pepperharrow by Natasha Pulley; By Force Alone by Lavie Tidhar; Providence by Max Barry; and House of Earth and Blood by Sarah J Maas

Where the Wild Ladies Are by Matsuda Aoko review – surreal but relatable short stories

Ghost stories, demons, skeletons … traditional tales with a feminist twist

The Young Team by Graeme Armstrong review – a swaggering, incendiary debut

The use of dialect in this autobiographical Scottish debut about gang culture, drugs and sex is dazzling

A Race With Love and Death by Richard Williams review – Britain’s first great grand prix driver

A splendid account of the dashing times, and tragic end, of Richard Seaman, a British motor racing star in the 1930s, who met Hitler

A Thousand Moons by Sebastian Barry review – an ambitious sequel to Days Without End

Narrated by a young Native American woman, the follow-up to Barry’s Costa winner again displays the rare gifts of a natural storyteller

Sitopia by Carolyn Steel review – a utopian vision that begins with food

We are out of step with our planet, so how should we live? Cheap food is an oxymoron and anarchism’s time may have come, argues this wide-ranging, stimulating book

The Impossible Climb by Mark Synnott review – can you ‘free solo’ El Capitan?

This description of Alex Honnold’s ascent without a safety rope is as gripping as a thriller

Silver Sparrow by Tayari Jones review – a tale of two sisters

From the winner of last year’s Women’s prize, a wise and moving story about two teenagers linked by their bigamist father

Apeirogon by Colum McCann review – new perspectives on Israel-Palestine

A compendium of the conflict mixes fact with fiction to create a profound account of pain and healing

The Beauty and the Terror by Catherine Fletcher review – the dark side of the Italian Renaissance

The Renaissance in Italy was an era of terror and oppression more than beauty – but is its great art complicit in injustice? Should we rethink the Mona Lisa’s smile?

Titian: Love, Desire, Death review – whims of the gods made flesh

The artist’s epic series of paintings drawn from the poet Ovid hang together for the first time in three centuries, and tell a tale of sex, power and subversion

Heavy by Dan Franklin review – metal gets serious

More than just guitar power chords ... a weighty discussion of metal, for both passionate fans and neophytes

Hurricane Season by Fernanda Melchor review – who killed the village witch?

This deep drill into violence, femicide, homophobia and misogyny in rural Mexico is savage and necessary

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← Older posts
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  • Walking Shadow by Greg Doran review – Shakespeare’s healing power
  • No need for hard stares as Paddington: The Musical triumphs at Olivier awards
  • Is AI the greatest art heist in history?
  • From Peepo! to Middlemarch: 25 books to read before you turn 25
  • ‘I got everything I dreamed of – when I had no ability to handle it’: Lena Dunham on toxic fame, broken friendships and her ‘lost decade’
  • The Guardian view on dystopias for our times: the American nightmare
  • Brian Rotman obituary
  • Critics assemble! Here’s my list of the greatest superhero movies of all time
  • The best recent science fiction, fantasy and horror – review roundup
  • Go Gentle by Maria Semple review – a joyfully clever New York romcom
  • Circle of Wonders by Kathryn Heyman review – solace and healing in an acid-etched portrait of a dysfunctional family
  • Helen DeWitt turns down $175k Windham-Campbell prize over promotional requirements
  • Overnight by Dan Richards audiobook review – an immersive journey into the night worker’s world
  • The Housemaid author Freida McFadden reveals her true identity
  • Gillian Anderson and Cara Delevingne to hit Cannes as auteur heavyweights dominate festival lineup
  • The Beginning Comes After the End by Rebecca Solnit review – a manual for coping with change
  • You Are the Führer’s Unrequited Love by Jean-Noël Orengo review – Hitler, Speer and beyond
  • British novelist Gwendoline Riley wins $175k Windham-Campbell prize
  • Rebecca Hall obituary
  • The Writer and the Traitor by Robert Verkaik review – the strange case of Graham Greene and Kim Philby
  • Two for two? Stella prize winner Evelyn Araluen nominated again for second poetry collection
  • My Lover, the Rabbi by Wayne Koestenbaum review – as fierce and strange as anything you’ll read this year
  • Stand By Me review – Rob Reiner’s nostalgic look at friendship and the loss of innocence still grips tight
  • The Black Death by Thomas Asbridge review – a medieval horror story
  • Modern heroes and a ravaged Earth: reboot of 1950s space comic Dan Dare has liftoff
  • ‘For leftist Jews, the Bund is a model’: the radical history behind one of Europe’s biggest socialist movements
  • Upward Bound by Woody Brown review – extraordinary debut from a non-speaking autistic author
  • London Falling by Patrick Radden Keefe review – a compulsive tale of money, lies and avoidable tragedy
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • The Hair of the Pigeon by Mohammed Massoud Morsi review – an epic tale of a refugee’s journey

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