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The Coward by Jarred McGinnis review – the road to redemption

A tender, brutally funny autobiographical novel deals with the aftermath of an accident that leaves the narrator in a wheelchair

Dark as Last Night by Tony Birch review – 16 new vignettes from a master of the short story

The perspective of children is central to Birch’s stories, which meld humour and sorrow with an eye for cheeky detail

Three Rooms by Jo Hamya review – on belonging and inequality

A fraught, polemical debut novel about precarious work and housing, and the effects on women’s ambitions

Tove review – impassioned portrayal of Moomins creator lights up biopic

The story of Tove Jansson’s artistic struggles and daring bisexual affairs in 1940s Finland is energised by a shining central performance from Alma Pöysti

Meet the Georgians by Robert Peal review – tales from Britain’s ‘wildest’ century

Twelve stories of magnificent – if not moral - lives recall the fun and fizz of an unjustly overlooked period of British history

Martin Eden review – Jack London’s thrilling tale of hollow success

This Italian adaptation of London’s 1909 novel follows the ascent of a proletarian novelist to popular success which proves a bitter disappointment

Everything Went Fine review – wonderfully observed story of assisted dying

André Dussollier and Sophie Marceau are outstanding as a father and daughter whose tricky relationship is upended when he asks for her help to die

Fear Street Part 2: 1978 review – summer camp slasher is another winner

Netflix’s flashy RL Stine trilogy continues with a darker Friday the 13th-aping horror that brings more shocking gore and excellent performances

Notes on Grief review – Chimamanda Ngozi Adichie essay sketched on stage

The novelist’s article about her father’s death was expanded into a book and has now become a play but it feels limited

Panic As Man Burns Crumpets by Roger Lytollis review – the death of local news, read all about it

A former reporter writes with clarity and poignancy about the privilege of telling people’s stories and the managed decline of local journalism

Between Two Worlds review – Juliette Binoche goes undercover in the gig economy

Emmanuel Carrère’s drama – based on Florence Aubenas’s bestseller Le Quai de Ouistreham – fails to probe fully the injustices faced by low-paid workers

The Travel Writing Tribe by Tim Hannigan review – an elitist genre?

Travel writing used to be dominated by Old Etonians with colonialist tendencies; but this well-researched critique shows that the ‘travellees’ are writing back

Filthy Animals by Brandon Taylor review – sexuality and suffering

The Real Life author’s stories smudge the margins between queer and straight, interior lives and the exterior world

Poetry book of the month: Lyonesse by Penelope Shuttle – review

Combining two collections in one, the veteran poet immerses us in a mythical kingdom in this extraordinary flow of work

Once Upon a Time in Hollywood by Quentin Tarantino review – from auteur to author

You’ve seen the film, now read the director’s own novelisation. And it turns out that his way with words is infectious and fun

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  • Two for two? Stella prize winner Evelyn Araluen nominated again for second poetry collection
  • My Lover, the Rabbi by Wayne Koestenbaum review – as fierce and strange as anything you’ll read this year
  • Stand By Me review – Rob Reiner’s nostalgic look at friendship and the loss of innocence still grips tight
  • The Black Death by Thomas Asbridge review – a medieval horror story
  • Modern heroes and a ravaged Earth: reboot of 1950s space comic Dan Dare has liftoff
  • ‘For leftist Jews, the Bund is a model’: the radical history behind one of Europe’s biggest socialist movements
  • Upward Bound by Woody Brown review – extraordinary debut from a non-speaking autistic author
  • London Falling by Patrick Radden Keefe review – a compulsive tale of money, lies and avoidable tragedy
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • The Hair of the Pigeon by Mohammed Massoud Morsi review – an epic tale of a refugee’s journey
  • Into the Wreck by Susannah Dickey review – an immersive exploration of grief
  • Jan Morris by Sara Wheeler review – masterly account of a flawed figure
  • How to use procrastination to your advantage
  • Life of Pi author Yann Martel: ‘I thought the Iliad was a book for old farts… then I started getting ideas’
  • ‘Enough of this me me me’: Blake Morrison on memoir in the age of oversharing
  • The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith
  • The Guardian view on the Women’s Library at 100: a cause for celebration but not complacency
  • David Judge obituary
  • Clare Gittings obituary
  • The best recent poetry – review roundup
  • Sarah Hall: ‘Everyone wangs on about Anna Karenina – I’ve never been able to finish it’
  • Original Sin by Kathryn Paige Harden review – are criminals born or made?
  • Sororicidal by Edwina Preston review – a tale of two sisters tinged with danger
  • ‘Slavery bounded his life’: Thomas Jefferson’s views on race – in his own words
  • Death of an Ordinary Man by Sarah Perry audiobook review – an extraordinary chronicle of terminal illness
  • I did not tell my sister that our other sister was dying. Silence was the right choice, yet murky and painful
  • The Palm House by Gwendoline Riley review – the laureate of bad relationships
  • A feud ‘straight out of Succession’, a rental thriller and an ‘absolute ripper’: the best Australian books out in April
  • What we’re reading: writers and readers on the books they enjoyed in March
  • JD Vance announces a new memoir about his conversion to Catholicism

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