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Covid by Numbers review – how to make sense of the statistics

David Spiegelhalter and Anthony Masters delve into the detail behind the data and explore the true human cost of the pandemic

Palmares by Gayl Jones review – a long-awaited vision of freedom

Set in 17th-century Brazil, this wild and winding epic about a community of Africans who have escaped slavery is a revelation

Crossroads by Jonathan Franzen review – a fine start to a family trilogy

This simmering 70s-set domestic drama is warm, expansive and funny – a pure pleasure to read

No Time to Die review – Daniel Craig dispatches James Bond with panache, rage – and cuddles

The long-awaited 25th outing for Ian Fleming’s superspy is a weird and self-aware epic with audacious surprises up its sleeve

Oliver Sacks: His Own Life review – beautiful and honest study of an amazing man

Remarkable footage shows the pioneering neurologist at work in this excellent documentary

The Sun Is Open by Gail McConnell; Cheryl’s Destinies by Stephen Sexton – review

Keen wit and literary grit infuse the work of two Belfast writers who both show how poetry can transcend the everyday

Peril by Bob Woodward and Robert Costa review – the bloated body politic

The Washington Post journalists pick apart the transfer of power from Trump to Biden in an F-bomb-peppered account of the corporeal and divine in US government

The Radical Potter: Josiah Wedgwood and the Transformation of Britain by Tristram Hunt – review

An accessible new biography by the director of the V&A repositions the potter as not only a giant of design and manufacturing but a model of the best an entrepreneur can be

Matrix by Lauren Groff review – thrilling trip into the mystic

The Fates and Furies author reconstructs the life of a 12th-century nun, drawing out conflict, drama and queer undercurrents

Chronicles from the Land of the Happiest People on Earth by Wole Soyinka review – a vast danse macabre

The Nigerian writer’s first novel in nearly 50 years is a vivid, shocking story of political corruption in a country much like his homeland

In brief: Lemon; The Nutmeg’s Curse; Dirt – reviews

Kwon Yeo-Sun brings eerie beauty to crime fiction, Amitav Ghosh traces the climate crisis to colonialism and Bill Buford goes to the heart of French cuisine

Cloud Cuckoo Land by Anthony Doerr review – all human life is here

Classical philosophy meets the climate crisis in the Pulitzer prize-winner’s propulsive novel stretching over 700 years

Crossing the Mangrove by Maryse Condé – a village united by a vagabond

The death of a newcomer to a Guadeloupean community sparks a meandering, fascinating novel about the locals’ interconnected lives

And Away… review – how Bob Mortimer went from sidekick to standalone

An often moving memoir examines the comedian’s unlikely journey from Big Nights Out to riverbank ruminations with Paul Whitehouse

The Magician by Colm Tóibín review – a difficult Mann to know

This dramatisation of Thomas Mann’s private and public life never quite convinces as biography or fiction

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← Older posts
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  • Is AI the greatest art heist in history?
  • From Peepo! to Middlemarch: 25 books to read before you turn 25
  • ‘I got everything I dreamed of – when I had no ability to handle it’: Lena Dunham on toxic fame, broken friendships and her ‘lost decade’
  • The Guardian view on dystopias for our times: the American nightmare
  • Brian Rotman obituary
  • Critics assemble! Here’s my list of the greatest superhero movies of all time
  • The best recent science fiction, fantasy and horror – review roundup
  • Go Gentle by Maria Semple review – a joyfully clever New York romcom
  • Circle of Wonders by Kathryn Heyman review – solace and healing in an acid-etched portrait of a dysfunctional family
  • Helen DeWitt turns down $175k Windham-Campbell prize over promotional requirements
  • Overnight by Dan Richards audiobook review – an immersive journey into the night worker’s world
  • The Housemaid author Freida McFadden reveals her true identity
  • Gillian Anderson and Cara Delevingne to hit Cannes as auteur heavyweights dominate festival lineup
  • The Beginning Comes After the End by Rebecca Solnit review – a manual for coping with change
  • You Are the Führer’s Unrequited Love by Jean-Noël Orengo review – Hitler, Speer and beyond
  • British novelist Gwendoline Riley wins $175k Windham-Campbell prize
  • Rebecca Hall obituary
  • The Writer and the Traitor by Robert Verkaik review – the strange case of Graham Greene and Kim Philby
  • Two for two? Stella prize winner Evelyn Araluen nominated again for second poetry collection
  • My Lover, the Rabbi by Wayne Koestenbaum review – as fierce and strange as anything you’ll read this year
  • Stand By Me review – Rob Reiner’s nostalgic look at friendship and the loss of innocence still grips tight
  • The Black Death by Thomas Asbridge review – a medieval horror story
  • Modern heroes and a ravaged Earth: reboot of 1950s space comic Dan Dare has liftoff
  • ‘For leftist Jews, the Bund is a model’: the radical history behind one of Europe’s biggest socialist movements
  • Upward Bound by Woody Brown review – extraordinary debut from a non-speaking autistic author
  • London Falling by Patrick Radden Keefe review – a compulsive tale of money, lies and avoidable tragedy
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • The Hair of the Pigeon by Mohammed Massoud Morsi review – an epic tale of a refugee’s journey
  • Into the Wreck by Susannah Dickey review – an immersive exploration of grief

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