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Mother Mary Comes To Me by Arundhati Roy review – brave and absorbing

In this remarkable memoir, the Booker-winning novelist looks back on her bittersweet relationship with her mercurial mother

The Wizard of the Kremlin review – Jude Law is Putin in adaptation of Kremlin spin doctor bestseller

The rise of Vladimir Putin, chillingly played by Law, is portrayed through the eyes of a wily insider, but Paul Dano’s protagonist cuts a one-note figure

The Great Gatsby review – a jazz age party that charlestons through tragedy

Oraine Johnson’s emotionally available take on Jay Gatsby adds more energy to a dance-filled show but Fitzgerald’s lesson risks getting lost amid the frocks and fun

Frankenstein review – Guillermo del Toro reanimates a classic as a monstrously beautiful melodrama

Oscar Isaac and Jacob Elordi star as the freethinking anatomist and his creature as Mary Shelley’s story is reimagined with bombast in the director’s unmistakable visual style

Late Fame review – Willem Dafoe is a natural poet in a slice-of-life New York fable

A postman’s forgotten poetry collection finds new admirers in a tale of how the mystique of the past filters to the present

At Work review – photographer ditches career for gig economy and writing in poverty drama

Though the film is eventful enough, there is a bland placidity with which Bastien Bouillon plays a man following his dreams in this quaintly naive drama

Transcendence for Beginners by Clare Carlisle review – a philosopher’s guide to enlightenment

Can we experience something bigger than ourselves in the midst of busy, humdrum lives?

Hailstones Fell without Rain by Natalia Figueroa Barroso review – a funny and tender debut

This exuberant novel, set in western Sydney and Uruguay, celebrates matrilineal connection over three generations of one family

Gunk by Saba Sams audiobook review – messy nights and motherhood

The first novel from the Send Nudes author moves from a Brighton club to baby feeding

Seascraper by Benjamin Wood review – a story that sings on the page

A young shrimp fisher’s horizons are broadened by the arrival of a stranger in this atmospheric Booker-listed tale

Caught Stealing review – Darren Aronofsky’s violent, chaotic and highly enjoyable crime flick

After Mother! and The Whale, Aronofsky’s new movie centres on a washed-up alcoholic former baseball star’s encounters with a villainous underworld

Ruth by Kate Riley review – a very different kind of candour

This unusual debut explores the inner life of a woman in an insular American religious community

False War by Carlos Manuel Álvarez review – a new vision of migration

A novel of interlocking stories captures the ordinary lives and interior worlds of Cuban exiles seeking sanctuary in Miami

Everything We Do Is Music by Elizabeth Alker review – how the classics shaped pop

From Stravinsky to Donna Summer, the story of connections that enriched music – in both directions

Good and Evil and Other Stories by Samanta Schweblin review – grasping the essence of horror

The Argentinian writer maps a journey through fear, healing and the terrifying permeability of our boundaries

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  • ‘I was writing at my lowest ebb’: Scottish author Len Pennie on domestic abuse and the power of poetry
  • US actor battles UK council over restoration of ‘Downton Shabby’, his ancestral home
  • ‘I’ve seen so many people go down rabbit holes’: Patricia Lockwood on losing touch with reality
  • The best recent science fiction, fantasy and horror – review roundup
  • Clearing the Air by Hannah Ritchie review – practical climate optimism
  • Australian War Memorial defers military history prize after judging panel awards it to book on Ben Roberts-Smith
  • Desolation by Hossein Asgari review – an accomplished exploration of love, truth and the cruelty of fate
  • I Love You, Byeee by Adam Buxton audiobook review – warm and witty whimsy
  • All the Way to the River by Elizabeth Gilbert review – excruciating to read
  • The Climate Diplomat by Peter Betts review – the most important person you’ve never heard of
  • Gareth Evans scolds ‘bone-headed’ Meanjin publisher as imminent closure sparks protest
  • No Friend to This House by Natalie Haynes review – a thrilling take on the Golden Fleece myth
  • The Man in My Basement review – Willem Dafoe is an unsettling guest in eerie psychodrama
  • Wainwright prize for nature writing awarded to memoir about raising a hare during lockdown
  • Harris calls Biden’s decision to seek re-election ‘recklessness’ in new memoir
  • The Long Walk review – Stephen King death game dystopia is the grimmest mainstream movie for some time
  • ‘It was a fair shot’: Anna Wintour belatedly gives her verdict on The Devil Wears Prada
  • From woodcuts to Colin Firth: how Jane Austen’s stories have been pictured
  • A Splintering by Dur e Aziz Amna review – a woman’s ambitions in Pakistan
  • How to Save the Internet by Nick Clegg review – spinning Silicon Valley
  • Brian Lewis obituary
  • How Google dodged a major breakup – and why OpenAI is to thank for it
  • The play that changed my life: ‘Pinter’s Betrayal made me think: this is how I want to write’
  • The Secret of Secrets by Dan Brown review – weapons-grade nonsense from beginning to end
  • The Loneliness of Sonia and Sunny by Kiran Desai review – a dazzling epic
  • ‘Looks so sizzling they could fry an egg!’ How the BBC’s Pride and Prejudice adaptation changed my life
  • Poem of the week: Scallop Shell by Grace Schulman
  • Between the Waves by Tom McTague review – the long view on Brexit
  • The Guardian view on the ‘twin’ Vermeers: how to spot a masterpiece
  • Cod digits and striped equids: new book celebrates media staple ‘the second mention’

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