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The Sheep Detectives review – Hugh Jackman gives a flock in baa-rking mad cosy crime caper

Jackman plays the farmer in this Babe-style feelgood family film about plucky sheep who help solve a murder

Famesick by Lena Dunham review – when celebrity causes side-effects

The Girls creator has endured brickbats and breakdowns – but she doesn’t always make it easy to feel sorry for her

The Things We Never Say by Elizabeth Strout review – readers will delight in these new characters

The Olive Kitteridge and Lucy Barton author branches out with the tale of a Massachusetts teacher haunted by trauma

Children and teens roundup – the best new picture books and novels

An imposter monkey, an underworld princess, art’s female trailblazers, and YA tales of fear, family and friendship

The Body Builders by Albertine Clarke review – a compelling debut of mental meltdown

A young woman’s dissociation from reality and her road to recovery are vividly rendered in this striking novel

Mantle by Romy Ash review – an exquisitely wild and exhilarating vision of the near future

Thirteen years after her celebrated debut, the author returns with a bizarre, evocative work that merges science and the surreal

The Waves review – superb staging of Virginia Woolf’s deep dive into friendship

Deft production follows six friends as they morph from truth-blurting children into weary midlifers in effortless and capable performances

A Family Matter by Claire Lynch audiobook review – an award-winning story of homophobia and divorce

Dual timelines reveal the real reason a mother was forced to leave her daughter in the 80s, in this Nero prize-winning novel inspired by real-life events

Double Indemnity review – leaden drama turns crime classic into a very cold case

James M Cain’s hard-bitten novella gained bleak power on screen but this version, giving Mischa Barton her UK stage debut, loses its flinty edge

The Asset Class by Hettie O’Brien review – the hidden hand of private equity

From utilities to care homes, how capital’s most rapacious form yet is taking over the public realm

The Wonderful World that Almost Was by Andrew Durbin review – the queer artists who shaped New York cool

A tender but unflinching account of Peter Hujar and Paul Thek, forgotten stars of the 1960s scene

The Shadow of the Object by Chloe Aridjis review – one of the boldest writers at work in English today

This fable-like novella about technologies of illusion and a life-changing friendship in Mexico City is enchanting

Hotel Exile by Jane Rogoyska review – the remarkable story of a wartime institution

From haven for intellectuals fleeing Hitler to the HQ of the feared Abwehr, the changing fortunes of a Parisian icon

See You on the Other Side by Jay McInerney review – the clumsy finale of a classic New York series

The bright young things of 1992’s Brightness Falls are now in their 60s in this verbose, clunky novel that seems more interested in lifestyle than inner lives

Ghost Stories by Siri Hustvedt review – life after Paul Auster

What’s it like to lose your partner of more than 40 years? The novelist and essayist reflects on going from ‘we’ to ‘I’

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  • Being Heumann review – stirring biopic of a pioneering disability rights campaigner
  • Alexander: God, King, Man by Edmund Richardson review – a dazzling, dizzying adventure
  • ‘He was destined for this award’: China Miéville wins Goldsmiths prize for 1,200-page novel
  • Mike Bigger obituary
  • Ramayana: Rise of a Legend review – India’s most expensive film ever becomes spectacular, huge-scale epic
  • Andrea Lewenstein obituary
  • A Table for Fortune by William T Vollmann review – a hugely ambitious 3,000-page portrait of America’s decline
  • Merry Christmas Aubrey Flint review – Dickensian festive Britpic decorated by selection box of familiar faces
  • A Life in Fragments by Marina Litvinenko review – surviving Putin
  • Judi Dench says Daniel Craig ordered her death. James Bond just got a lot scarier
  • Latest Sarah J Maas book becomes UK’s fastest-selling adult fantasy novel
  • ‘A trailblazer in the truest sense’: poet Grace Nichols wins £10,000 Pioneer prize
  • True crime novel about 1949 murder of Paris life model wins France’s biggest literary prize
  • ‘His voice was too queer – so they silenced him’: how Spain’s national poet Lorca finally became a gay icon
  • ‘The world is out of control’: how political strategist Claire Ainsley is challenging the left to take it back
  • Carrie at 50: Brian De Palma’s fiery masterpiece still has the power
  • Citizen Kim by Jonathan Van Meter review – Kardashian under the microscope
  • Lords of Serendipity by Randy Boyagoda review – a campus satire for this moment of crisis
  • Ruth Brook-Klauber obituary
  • ‘Sad lost souls’: Taika Waititi lambasts critics after Klara and the Sun box-office disaster
  • From puregatory to lifehoarding – how best to describe our strange, anxious times?
  • The Rhyl Poster by Tom McCarthy review – is this avant-garde spy drama worth the riddles?
  • Pay Attention by Laura Kuenssberg review – a BBC reporter’s howl of frustration
  • Alex Garland’s Elden Ring adaptation is on course to be Hollywood’s goriest ever fantasy movie
  • Love the C word? You might be Australian. Hate it? You might be American
  • Unseen Harry Houdini writing published on 100th anniversary of his death
  • What we’re reading: Ian Rankin, Louise Kennedy and Guardian readers on the books they enjoyed in October
  • ‘Being hated is very bracing’: Helen Garner on surviving three marriages and being called a ‘rotten feminist’
  • Nigel’s ‘chiselled cheekbones’ make the news – Reform’s the Reformer, digested by John Crace
  • The Guardian view on 50 years of The Selfish Gene: flawed, outdated, yet still a model of truly popular science writing

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