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Aya: Claws Come Out by Marguerite Abouet and Clément Oubrerie review – Ivory Coast’s comic soap opera

The latest instalment in Abouet’s brilliantly illustrated series about the lives of three friends in Abidjan is as funny and sharp as ever

Blue Giant review – electrifying animation captures the ecstasy of live music

A sublime score from Hiromi Uehara drives this coming-of-age-anime, which brings three young jazz musicians to life with spectacular imagery

Sex, Spies and Scandal by Alex Grant review – the cold war and an untold part of Britain’s LGBT history

This sympathetic telling of the John Vassall affair is strong on the homophobic paranoia that wrecked British lives in the 1950s – and a reminder that the Kremlin’s use of blackmail is nothing new

In brief: The Fury; Our Moon: A Human History; Wolfish – review

An unreliable narrator gives a locked-room mystery a fresh spin; a fascinating look at our relationship with all things lunar; and ranging far and wide culturally in the company of wolves

Day by Michael Cunningham; The Vulnerables by Sigrid Nunez review – tales from the Covid era

Two New York novels – one a melodrama of familial tension, the other musings from an unlucky housesitter – investigate life during the pandemic

Lovers in Auschwitz: A True Story by Keren Blankfeld review – a dangerous liaison in the shadow of death

A reconstruction of a Holocaust survivor’s secret romance in a Nazi camp – and a reunion 70 years later – is touching, if sometimes overheated

The Truce review: deep dive on Democrats’ dynamics and divisions

Hunter Walker and Luppe B Luppen examine the state of Joe Biden’s party as a rematch with Donald Trump draws near

Forbidden Desire in Early Modern Europe review – Christianity’s barbaric war against homosexuality

Historian Noel Malcolm’s survey of gay life in the 15th to 18th centuries debunks many myths, but mostly catalogues the extreme violence perpetrated against those judged to have broken religious doctrine

All of Us Strangers review – Andrew Haigh’s drama grabs you by the heart and doesn’t let go

This deeply personal portrait of newfound love and a traumatic past, starring Andrew Scott and Paul Mescal, is an emotionally wrenching masterpiece

The Men of 1924 by Peter Clark; The Wild Men by David Torrance review – Labour’s first taste of power

One hundred years since Ramsay MacDonald led his cabinet of workers into Number 10, two engrossing books illuminate the party’s extraordinary leading players and their achievement, largely unheralded, in making the country more civilised

The Color Purple review – off-note musical take on Alice Walker’s novel

Director Blitz Bazawule turns the Pulitzer prize-winning saga of rape and racism into a nostalgic, tonally jarring song and dance spectacle

Spent Light by Lara Pawson review – the dark side of everyday things

Domestic objects lead to intimate memories and troubled histories in this glorious, genre-bending book

None of This Is True by Lisa Jewell audiobook review – is she who she says she is?

Nicola Walker and Louise Brealey play the women whose fast-friendship develops into a something far darker

Children’s and teens roundup – the best new picture books and novels

A snail in space, dinosaurs on the beach, a fresh take on Jane Eyre, and a kebab-eating incarnation of Otis Redding

Northanger Abbey review – Janeites, be warned! Austen gets a fanfic makeover

Writer Zoe Cooper and director Tessa Walker reignite Jane Austen’s early novel with hilarious physical storytelling and a fizzing cast, though the romance sputters out too soon

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  • Film producer Jeremy Thomas was a cross between a kindly Cambridge don and the movie world’s cool uncle
  • Jeremy Thomas, British producer of The Last Emperor and Sexy Beast, dies aged 77
  • Julia Donaldson: ‘Am I the Gruffalo Granny? Not really. I’m the mouse’
  • Bloodsport: After Helen of Troy review – classical myth burns into modern England
  • The best recent science fiction, fantasy and horror – review roundup
  • Drawn Together review – preposterous romance with all the erotic charge of leaf mulch
  • A Thought Without Collision by Adrian Duncan review – a brilliant interrogation of philosophy and wonder
  • Taipei Story by Rebecca F Kuang review – the torture and hilarity of learning Chinese
  • Scherzetto review – Toni Servillo brings gravitas to a dithering Neapolitan ghost story
  • Gone Guru by Nadine Browne review – a clever and funny metafictional caper
  • Why all our children deserve the sanctuary of a school library no matter where in Australia they live
  • The Eleventh Hour by Salman Rushdie audiobook review – stories with levity and laughter
  • Prime Minister’s Literary awards 2026: ‘profound’ novel based on Yolngu oral history wins $80,000
  • Péter Nádas obituary
  • ‘We felt someone was watching us’: author Rozina Ali on the untold story of Islamophobia in the US
  • Jane Eyre: A Musical review – more Disney romance than Victorian gothic
  • All About My Mother by Rachael Stirling review – a joyous love letter to Diana Rigg
  • What Should My Children Do? by Daniel Susskind review – the case for embracing tech in the classroom
  • ‘She blazed in and opened my eyes to the real world’: Readers remember Gloria Steinem
  • The Castle by Jon Ronson review – bizarre tales of modern masculinity
  • The Newer World by Sebastian Barry review – a near-miracle of storytelling
  • Better Go Mad in the Wild review – boozing, bantering hermits impart their spiritual wisdom
  • Our Noble Selves by Kate Atkinson review – quirky postwar nostalgia from the Life After Life author
  • Hawking by Graham Farmelo review – the dark side of genius
  • Let your mind wander, don’t retire and stop worrying: surprising ways to help save your brain from the cognitive cliff
  • Meera Syal looks back: ‘South Asians weren’t seen as funny. We sold you fags or served you curry’
  • 1984 review – brings new meaning to the word Orwellian
  • ‘It leaves holes inside of you’: graphic novel aims to remember the history and horror of genocide
  • The twilight of Edna O’Brien: son chronicles novelist’s dedication to her craft and the dread of loss
  • When Dad asked me to edit his novel, I wanted to say no – but ran directly towards the lion’s den

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