Winnie wins

Paul Addison resists the charge of revisionist iconoclasts with his authoritative biograpy of the 'Greatest Briton', Winston Churchill, says Sunder Katwala.

The fright of our lives

Terrorism, nuclear bombs, paedophiles ... in Fear, Joanna Bourke argues we should assess risks, not quiver before them.

Napoleon’s nemesis

Maria Fairweather's incident-filled life of the influential Madame de Staël could do with a little more drive, says Geraldine Bedell.

Wandering star

In Ramblin' Man, Ed Cray tells how Woody Guthrie was a mystery to everyone, including himself, says Mike Marqusee.

Morbid love

What drove John Ruskin, leading art critic of the Victorian era, to madness? Philip Hoare has found the answer in a collection of long-lost letters.

My face would be yours

Menacing graphics and unsparing honesty make Epileptic, David B's memoir of a childhood in the shadow of epilepsy, a harrowing experience, says Ian Sansom.

Marie, Marie, quite contrary

Barbara Goldsmith tells how Marie Curie was thwarted at every turn by the establishment in Obsessive Genius. No wonder she was a depressive obsessive, says Robin McKie.

My other half: Diana Evans on losing her twin, Paula

As twins, Paula and Diana shared everything: their clothes,their friends, their lives. But then, Paula committed suicide ... here, Diana Evans explains the unique pleasure of being a double act - and the singular pain of losing your twin.

Faith no more

Sam Harris blames religious moderates for allowing extremism to flourish in The End of Faith. It is time secularists took a stronger stand against religion, says Steohanie Merritt.

Roots and branches

Melissa Benn examines the lives of two of Ireland's favourite daughters in Nell by Nell McCafferty and The Road from Ardoyne by Ray Mac Manais.

Falling in love again

Depression cut the naturalist Richard Mabey off from the natural world. He charts his slow process of recovery in Nature Cure.

Against all odds

Natasha Walter is moved by Lyndall Gordon's account of the exceptional Mary Wollstonecraft.

Cry, the beloved country

Justin Hill on Michela Wrong's moving and ultimately uplifting account of Eritrea's emancipation, I Didn't Do It For You.