Brief lives

James Fenton on the origins of English autobiography.

‘I do give a damn’

After years of writing superior spy thrillers, author David Cornwell, aka John Le Carré, has evolved into an impassioned political commentator. The film of his novel The Constant Gardener - which opens this year's London film festival - is a searing indictment of Britain's recent record in Africa. In a rare interview, he talks to Stuart Jeffries about his 'radical period'.

Go on, dish the dirt

Lance Price's bean-spilling in The Spin Doctor's Diary fails to satisfy Rafael Behr.

Man of constant sorrow

Bob Dylan's voice comes crackling off the page in the first volume of his memoirs, Chronicles, says Robert McCrum.

Ordinary lives writ large

Vikram Seth weaves a consideration of the ethics of biography into his exemplary memoir, Two Lives, says Frances Wilson.

Dramas and crises

Christopher Marlowe's uproarious life is a gift to a biographer and Park Honan doesn't disappoint in his account of the master playwright, says Stanley Wells.

Perfectly composed

Jane Glover and Nicholas Kenyon give the whole truth about Amadeus in Mozart's Women and The Pocket Guide to Mozart, says Anthony Holden.

The Wolfgang pack

Simon Callow relishes Jane Glover's beautiful account of the women in the composer's life, Mozart's Women.

A brutal truth

Memoir, John McGahern's first non-fiction work, is also his finest yet, says Stephanie Merritt.

Whose baby are you?

In Nobody's Child Kate Adie has written a compelling book about foundlings like herself, says Don Boyd.

And still they sing

Aharon Appelfeld's The Story of a Life is a wartime memoir to savour, says Lisa Appignanesi.