Haunted by his mother's madness, insomnia and self-loathing, Ryunosuke Akutagawa, one of Japan's leading literary figures, killed himself at 35. But not before a final creative outpouring, says David Peace.
Millais idolised and was greatly inspired by Ruskin. But after he seduced his hero's wife, his work became more flamboyant and populist. Fiona MacCarthy hails an impressionist ahead of his time.
Gifted, beautiful and unpredictable, Lee Miller's career took her from the fashion pages of Vogue to the front line of the second world war. But while she is celebrated as one of the finest photographers of the 20th century, her great talents as a writer are often forgotten, argues Ali Smith.
Baritone Simon Keenlyside is home after years working abroad. He enjoys flamenco and the blues as much as opera, but his greatest inspiration comes from the natural world.
Germaine Greer's impassioned plea on behalf of Ann Hathaway in Shakespeare's Wife is fatally undermined by a fact-free and vituperative attack on the Bard, says Peter Conrad.
They were scruffy, stroppy and barely out of school, but, as Kevin Jackson explains, the angry young men of the documentary film movement made Britain's most significant contribution to cinema history.
Zora Neale Hurston's Their Eyes Were Watching God was for decades a well-loved secret among black women. Zadie Smith recalls her emotional first reading of the novel, and claims it as a classic for all audiences.
Peter Bradshaw: An excellent chiller based on Stephen King's short story and starring John Cusack as a cynical writer who cranks out tongue-in-cheek tourist guides to supposedly haunted hotels.