We Are All Made of Glue by Marina Lewycka Lewycka's fusion of Holocaust drama and knockabout comedy makes for uneasy reading, says Olivia Lang
Hackney, That Rose-Red Empire by Iain Sinclair Iain Sinclair's walking tour of London E8 is enlivened by the remarkable eccentrics he meets, says Tim Adams
Even the Dogs by Jon McGregor Jon McGregor's account of the aftermath of the death of a low-life drunk plays with form and language to daring degrees, writes Edmund Gordon
The Storm by Vince Cable Cable's mission is to explain the financial crisis, not to blame. His book is all the better for that, says Rafael Behr
The Equality Illusion by Kat Banyard There's still a powerful case to be made for women's rights, says Rachel Cooke, but this book isn't quite up to it
Guns, Germs and Steel – and a ploughman’s lunch Civilisation started with bread and cheese. Tim Radford reviews Guns, Germs and Steel by Jared Diamond
Nothing But the Truth: Selected Dispatches by Anna Politkovskaya, edited by Arch Tait Peter Preston celebrates the talents and passion of the murdered Russian journalist Anna Politkovskaya
Just Kids by Patti Smith Edmund White on a memoir that captures all the elements that made New York in the 1970s so exciting
Letter from an Unknown Woman review – gripping and tragic story, fashioned to perfection Turn-of-the-century Vienna is the setting for Max Ophüls’ wonderful melodrama adapted from a Stefan Zweig novella
The Rule of Law by Tom Bingham Conor Gearty praises the wise judgments of Tom Bingham, one of our greatest crusading judges
The Wilderness by Samantha Harvey This accomplished debut novel explores what happens when memory can no longer be relied on, says Olivia Laing
Hollywood Hellraisers by Robert Sellers A biography of Jack Nicholson, Marlon Brando, Dennis Hopper and Warren Beatty is great fun, if a little light, says Viola Fort
The Haunting of Hill House by Shirley Jackson Sophie Missing enjoys the 'definitive haunted house story'
Mark Thomas: The Manifesto, Poetry Please, Henry Moore, My Father and Profile: Chris Morris Mark Thomas is a funny man. Shame he doesn't know when to stop, writes Miranda Sawyer
Malice in Wonderland This modernised take on the Alice in Wonderland story struggles to justify itself, says Peter Bradshaw