E O Wilson: A love affair with life

In E O Wilson's autobiography Naturalist (Island Press, 1994) we learn of the great ant man's enchanted childhood and development into one of the patron saints of conservation

Bleak House

New Vic, Newcastle-under-Lyme For this production of the Dickens classic, director and adapter Theresa Heskins has cleverly turned the theatre into a crime scene, writes Alfred Hickling

The Lost City of Z by David Grann

David Grann's attempt to follow in the footsteps of an intrepid explorer of the Amazon makes for compelling reading, says Andrew Anthony

The Misogynist by Piers Paul Read

Piers Paul Read's account of a retired barrister reflecting on the emptiness of his life recalls the later work of Philip Roth, says Tim Adams

How Pleasure Works by Paul Bloom

From art to angel cakes, says Paul Bloom, our pleasures today are directly related to ancient primal needs. It just takes a little imagination… By Phil Hogan

iBoy by Kevin Brooks

The tale of a teenage boy who gains special powers when he's hit by a falling iPhone is both gripping and profound, says Geraldine Brennan

Nevermore

The Barbican, LondonNevermore is all something of a grotesque marvel, but sometimes a little imperfection, sometimes something a little more maverick and less controlled can be a good thing in the theatre, writes Lyn Gardner

Icarus at the Edge of Time

Royal Festival Hall, LondonBrian Greene's narrative in Icarus at the Edge of Time is neat, with the scientific points well made, and the film images mix fantasy with some realism. Yet it never gels as a concert piece, writes Andrew Clements

Heartbreak by Craig Raine

The poet's first novel has fine moments, but is burdened by a surfeit of literary cleverness, writes James Purdon