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Maggie O’Farrell: ‘Having to bury a child must be unlike anything else’

Shakespeare’s only son, Hamnet, who died aged 11, is the inspiration for Maggie O’Farrell’s remarkable new novel. She talks about the link between his loss and the bard’s most famous work

Diet, health, inequality: why Britain’s food supply system doesn’t work

Tim Lang, the UK’s leading expert on food policy, says we already faced a challenge unmatched since the war. And things just got worse…

Jami Attenberg: ‘We tend to blame our parents for too long’

The bestselling author on the concept of forgiveness, escaping the women’s fiction box, and her favourite novel about dysfunctional families

Rebecca Solnit: ‘I came to the idea of hope as an activist and writer of history’

The acclaimed US essayist on ‘ambient harassment’, freeing women’s voices – and why she’s looking forward to a date with Mary Beard

Catherine D’Ignazio: ‘Data is never a raw, truthful input – and it is never neutral’

The co-author of Data Feminism on the importance of recognising discrimination in algorithms and introducing measures to stamp it out

‘I’m no snowflake’: Anne Glenconner on Margaret, marriage and Meghan Markle

The former lady-in-waiting’s memoir is a surprise bestseller. She discusses family tragedy and why Princess Margaret was more fun than people think

Maria Tumarkin on winning the 2020 Windham Campbell: ‘It feels like a complicated gift’

The Australian writer discovered she was one of eight to win a share of $1.32m on the day the coronavirus crisis became official

‘After prison, I’m stronger, more vulgar!’: the irrepressible Stella Nyanzi

She was imprisoned for writing a negative poem about Uganda’s president. Never one to be silenced, Nyanzi is back with a radically rude collection

Ali Cobby Eckermann on winning the world’s richest writing prize: ‘It’s taken time to adjust’

Poet lived in a caravan when she heard she had won $215,000. Ahead of this year’s Windham Campbell, she reflects on what that recognition can bring

Annalena McAfee: ‘I enjoyed writing this really rather unpleasant character’

A controlling female artist is at the heart of the author’s new novel. She talks about cruel egos in the art world and the logistics of writing alongside her husband, Ian McEwan

Phyllis Rose: ‘Power still resides in marriage’

The US author on her reissued classic about Victorian literary couples, the danger of ‘cancelling’ writers, and why gossip is underrated

Steven Appleby: ‘Cross-dressing in secret felt dishonest and stifling’

His new graphic novel, Dragman, follows the adventures of a cross-dressing superhero. The artist explains how drawing the character made him realise he’d had enough of leading a double life

Is My Dark Vanessa the most controversial novel of the year? Author Kate Elizabeth Russell speaks out

Exploring issues of abuse and consent, Russell’s novel My Dark Vanessa could not be more timely. She talks about the pressure to write a ‘likeable’ victim and the line between fiction and memoir

Rachel Louise Snyder: ‘Domestic abuse is as common as rain’

Rachel Louise Snyder talks about the personal history behind her award-winning book, No Visible Bruises, which charts the shocking rise of familial violence against women in the US

Evie Wyld: ‘Women are always told to ignore their sixth sense’

The prize-winning novelist on having her drink spiked, repressed female rage and fibbing about her writing routine

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  • Jane Eyre: A Musical review – more Disney romance than Victorian gothic
  • All About My Mother by Rachael Stirling review – a joyous love letter to Diana Rigg
  • What Should My Children Do? by Daniel Susskind review – the case for embracing tech in the classroom
  • ‘She blazed in and opened my eyes to the real world’: Readers remember Gloria Steinem
  • The Castle by Jon Ronson review – bizarre tales of modern masculinity
  • The Newer World by Sebastian Barry review – a near-miracle of storytelling
  • Better Go Mad in the Wild review – boozing, bantering hermits impart their spiritual wisdom
  • Our Noble Selves by Kate Atkinson review – quirky postwar nostalgia from the Life After Life author
  • Hawking by Graham Farmelo review – the dark side of genius
  • Let your mind wander, don’t retire and stop worrying: surprising ways to help save your brain from the cognitive cliff
  • Meera Syal looks back: ‘South Asians weren’t seen as funny. We sold you fags or served you curry’
  • 1984 review – brings new meaning to the word Orwellian
  • ‘It leaves holes inside of you’: graphic novel aims to remember the history and horror of genocide
  • The twilight of Edna O’Brien: son chronicles novelist’s dedication to her craft and the dread of loss
  • When Dad asked me to edit his novel, I wanted to say no – but ran directly towards the lion’s den
  • ‘I’m amazed a human being could do so much’: Gloria Steinem celebrated by Margaret Atwood, Dua Lipa, Lynda Carter and more
  • ‘Bold, brilliant, thrilling’: leading authors on the novels every school should teach
  • How posh are you? Do you have a therapist? What would you say to Trump at a party? Marina Hyde answers readers’ questions
  • ‘There is light at the end of this tunnel. But the tunnel is filled with sewage’: Marina Hyde on finding hope in political chaos
  • From Late Fame to Katseye: the week in rave reviews
  • A Long Winter review – hope, desire and subversion in Andrew Haigh’s beautiful winter western
  • How Gloria Steinem’s lifechanging stay in India shaped her approach to feminism
  • Holly Throsby: ‘I was proud to not make a breakup album’
  • The best recent poetry – review roundup
  • Kevin Powers: ‘I was ready to abandon Infinite Jest a thousand times’
  • The Golden Hours by Louisa Young review – this continuation of the Cazalet Chronicles is a total delight
  • People With Money by Jess Ho review – race, class and gender collide in this outlandish but overcooked satire
  • Hillary Clinton leads tributes to Gloria Steinem: ‘Her activism was rooted in optimism’
  • Gloria Steinem, groundbreaking feminist campaigner, dies aged 92
  • Gloria Steinem obituary

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