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Mary-Frances O’Connor: ‘People struggle to understand grief, but it is a byproduct of love’

The US psychology professor talks about her new book on the experience of losing a loved one and the lessons we can learn

‘I had a lot of self-loathing’: Omar Sakr on being queer, Arab, Muslim and Australian

Revisiting ‘terrifying and traumatising’ moments from his own life, the poet’s debut novel Son of Sin explores a young man’s sexual awakening in a conservative migrant community

Patrick Radden Keefe on exposing the Sackler family’s links to the opioid crisis

The journalist tracked the billionaire arts philanthropists’ role in the OxyContin scandal in his gripping bestseller. He talks about why the bad guys are still getting away with it

Peter Hennessy: ‘A diary is an aid to humility, which every historian needs’

The historian on how covid reunited us with the state, Attlee versus Johnson and the potholes on our path to a republic

Catriona Ward: ‘When done right, horror is a transformative experience’

The award-winning novelist on the Mojave desert, her itinerant childhood and her longstanding hypnagogic hallucinations

Marlon James: ‘Violence is violent and sex is sexy. You are supposed to be appalled’

The Booker prize-winning novelist on growing up gay in 80s Jamaica, his African fantasy trilogy – and how his mother’s job as a detective has influenced his writing

Lemn Sissay and Valerie Bloom look back: ‘I was a wild child when she met me’

The poets recreate an old photograph from when they first bonded – and reflect on more than 30 years of friendship

Dwight Chapin on his former boss: ‘Richard Nixon was not a crook’

The former secretary to the disgraced president talks about his new memoir and what it was like to go to prison for Nixon

Esi Edugyan: ‘At school in Canada, slavery was never mentioned’

The award-winning writer on feeling compelled to write about race, the benefits of staying put and swapping first drafts with her husband, poet Steven Price

Amy Liptrot: ‘I wanted to put the sex into nature writing’

Her bestselling debut, The Outrun, told of finding solace on Orkney after a hedonistic decade in London. Now, having briefly been drawn back to city life, she is exploring our animal instincts

‘It felt horrific to be in Britain as a Muslim after 9/11’: Pankaj Mishra and Kamila Shamsie in conversation

The writers discuss problems of representation, class, the culture wars and how fiction is a great way to ask difficult questions

Margaret Atwood on feminism, culture wars and speaking her mind: ‘I’m very willing to listen, but not to be scammed’

At 82, the Canadian author has seen it all - and her novels predicted most of it. Just don’t presume you know what she thinks

Sarah Vaughan: ‘Other writers ask if I’ve got a crystal ball. Actually, I just read the news’

As she publishes a thriller about a trolled MP, and Netflix adapts her bestseller Anatomy of a Scandal, the former journalist talks about power, privilege and her unnervingly prescient novels

Michael Crick: ‘I don’t think Farage is a racist… though he does pander to racists’

He’s quit TV after decades of dogged political reporting, written a rollicking biography of Nigel Farage – and, surprisingly, joined Mail+

Francis Spufford: ‘I felt that to call myself a writer would be a boast’

The author of Light Perpetual on a childhood spent hiding in books, dropping a V2 on a fictional London borough and giving up church politics

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  • Anthony LaPaglia: ‘There is not a role I didn’t get that I ever gave more than four hours of grievance to – even Tony Soprano’
  • ‘Our third date was at Buckingham Palace’: Marlon James and Nicholas Boggs on life as a literary power couple
  • Terry Denton obituary
  • Ryu Murakami, cult Japanese author, dies aged 74
  • Stranger things turn an English village upside down in Max Porter’s rural noir Lanny
  • Children’s and teens roundup – the best new picture books and novels
  • Under Fire by Humza Yousaf – a deeply affecting story of being stranded in Gaza
  • ‘I struggle to see myself as someone special’: Sandra Hüller on being the star of four – or, possibly, five – of the year’s biggest films
  • The Snowman gets a hi-tech rebuild – with help from Raging Bull and a ‘Hot Santa’
  • Inter Alia by Suzie Miller review – an urgent play about rape and justice is undermined by its novelisation
  • Zadie Smith among authors letting public bid to name new characters for charity auction
  • Black Bag by Luke Kennard audiobook review – brilliant Booker-shortlisted campus comedy
  • I longed for my big break. Then a Nobel winner and my girlfriend showed me why success isn’t everything
  • ‘Jane Austen is for everyone’: novelist Diana Reid on adapting Sense and Sensibility – and surprising Brits with her accent
  • Helen Fielding launches Bridget Jones prize for northern comedy writing
  • Female Life on Planet Earth by Laleh Khadivi review – a mother’s secret past in the Iranian revolution
  • ‘I’d consider replacing one of my children’: Taika Waititi on robot kids, his cheese-o-meter and Klara and the Sun
  • ‘Wow, logging that as a microaggression!’ Sophie Duker on trolling masculinity, lesbian cruises and her stripper fantasy
  • ‘It feels quite frightening’: readers rush to snap up Sally Rooney books as stocks dwindle amid Palestine Action ban
  • Why is Liz Truss trying to be Danny Dyer with her new book?
  • ‘I’m always being real’: what on earth persuades disgraced people like Elizabeth Holmes to let the cameras in?
  • New prize launches for books co-written with AI
  • Usha Vance is a closed book – but her Goodreads account is surprisingly revealing
  • Writing a book with Chris Woakes revealed inner steel of the nicest man in cricket
  • The Mystery of What Befell in the Ditch by Thure Erik Lund review – is this the greatest living Norwegian writer?
  • On Another Planet They Can Save Me by Lieke Marsman review – an astonishing memoir of terminal illness
  • Standup Jon Richardson on turning his dark teenage diaries into a tearjerking memoir: ‘I couldn’t sugarcoat those years’
  • The little-known friendship between Nina Simone and Langston Hughes
  • ‘If the lion does not tell its story, the hunter will’: a century of thrilling Cameroonian art
  • TS Eliot’s Murder in the Cathedral review – gather in wonder at David Suchet’s excellent archbishop

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