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Torrey Peters on life after a hit novel: ‘It had a very chilling effect on my writing’

Author of Detransition, Baby found success and pushback she never anticipated and now returns with a provocative collection of stories

Vincent Fantauzzo on childhood abuse, Heath Ledger and what’s wrong with the art world: ‘I was destined to fail’

Now one of Australia’s most successful artists, Fantauzzo opens up on his traumatic childhood in his memoir – with stories not even his wife Asher Keddie knew

Xiaolu Guo: ‘Write less, in order to write stronger’

The author and film-maker on why she was inspired to reimagine Moby-Dick in her new novel, her love of Coleridge and returning to the ‘addictive power of fiction’

Noel Fitzpatrick: ‘We often put on the radio and TV for the animals’

The supervet talks about growing up on a farm in Ireland, learning the elusive language of elephants and his love of Led Zeppelin

‘AI will become very good at manipulating emotions’: Kazuo Ishiguro on the future of fiction and truth

On the 20th anniversary of Never Let Me Go, the Nobel prize-winning novelist talks about the role of the author in a post-truth world – and why he’s ‘not a great writer of prose’

‘What’s wrong with us?’ : Novelist Virginia Feito on our morbid obsession with true crime

Her debut, Mrs March, is being adapted by Elisabeth Moss, and her new novel has already been snapped up for the screen. Virginia Feito reveals the real-life inspiration for her shocking story of a psychopathic Victorian nanny

‘I’m like the TV Lorraine – just more sweary’: at home with the queen of the small screen

She’s the chatty daytime presenter with a nice line in withering putdowns. But as a judge once ruled, that’s just a role she performs. So who is the real Lorraine Kelly?

Peter Wolf on Faye Dunaway, David Lynch and Bob Dylan: ‘My mission was to be an observer’

The frontman of the J Geils Band has had an extraordinary life, living and working with celebrities along the way, detailed in a fascinating new book

Colum McCann: ‘I like having my back against the wall’

The New York-based Irish author on being compelled to write about the big issues, his fear for friends in the Middle East and why Frankenstein is a metaphor for our times

‘I was causing harm’: author Helen Jukes on motherhood and our polluted bodies

In her latest book, Mother Animal, the writer gives a personal account of the impact of ‘forever chemicals’ on her and her child during and after pregnancy

‘It feels like a vindication’: Andrea Dworkin’s widower on the radical feminist’s rediscovery

John Stoltenberg, Dworkin’s partner for three decades, is thrilled by the reissue of three of her books as Penguin Modern Classics, and how a new generation is finding inspiration from her work

Writer Percival Everett: ‘Deciding to write a book is like knowingly entering a bad marriage’

The American novelist on James, his Booker-shortlisted retelling of Huckleberry Finn, working with Steven Spielberg and the silliness of the Oscars

Writer David Szalay: ‘We live in an era of short attention spans – we have to work with it the best we can’

The Hungarian-English author on addressing what it’s like to be a male body in the world, learning the tricks of literature from Frederick Forsyth, and the feeling of nearly winning the Booker

‘I forgive the girl and boy for what they’ve done. If I didn’t, the hate would eat away at me’: Esther Ghey on life after the murder of her daughter Brianna

Transgender teenager Brianna Ghey was stabbed to death by two 15-year-olds. The killers had been radicalised on the dark web, while the victim was trapped in an online world of her own. Now her mother has become friends with the parent of one of the murderers

Ash Sarkar: ‘I never learned much of value from TV’

The leftwing political commentator on gen Z’s disillusionment with democracy, why she’s a ‘Mantel stan’ and the moral panic behind her first book

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← Older posts
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  • National Year of Reading should extend to a decade, inquiry says
  • Worry Doll by Laura McPhee-Browne review – a sensual, sinister novel about the horrors of desire
  • Rebecca Perry wins Waterstones debut fiction prize for ‘delicious and dream-like’ novel
  • Grief Is the Thing With Feathers by Max Porter review – a bravura rendering of bereavement
  • A voyage of discovery: an idiot’s guide to reading The Odyssey
  • Up All Night by Imogen Willetts review – a seductive history of going out
  • Thursday briefing: Why magical kingdoms feel more relatable than real‑world romance​ for today’s young women
  • The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis
  • Utah bans Stephen King novella collection from public schools
  • ‘People are picking the dumbest fights’: the tortured history of America’s culture wars
  • Hidden Creatures by Dino Martins review – the revolting world of parasites
  • Animal Farm review – Andy Serkis’ Orwell adaptation slaughters the classic farmyard satire with sugar
  • The First House by Avni Doshi review – an intense portrait of marriage and freedom
  • Book publishers sue Google for copyright infringement over Gemini AI training
  • Nine out of 10 bestselling novels in UK have one thing in common: a woman is murdered
  • Juliet Gardiner obituary
  • Goodbye Chinatown by Kit Fan review – a chef’s elegy to London
  • The Art of Opposition by Courttia Newland review – piercing essays on culture and creativity
  • Chatsworth House pilots ‘community membership’ free entry scheme
  • The Brexit Effect, 2016-2026 edited by Anthony Seldon review – life without EU
  • The Anniversary by Andrea Bajani review – meet the terrible parents
  • The Guardian view on Patrice Lawrence: a children’s laureate for our times
  • ‘Stop telling people it’s weird’: Andrew Upton on his strange new novel, and having Cate Blanchett read it first
  • ‘People treat each other as disposable’: dating columnist turned novelist Annie Lord on love and sex in the age of apps
  • Why do free speech debates make us so angry?
  • ‘More postmodern than ancient’: why the Odyssey is everywhere, from Oz to Westeros
  • ‘I was a captive in this water prison with over 1,000 miles left to sail’: how an ocean odyssey with my old flame turned into a nightmare
  • Pressed for time? 20 brilliant books you can read in a day
  • The Guardian view on Homer: The Odyssey is more modern than we might like to think
  • I was worried having kids would kill my creativity. Instead it gave me a kaleidoscope

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