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Naomi Oreskes: ‘Discrediting science is a political strategy’

The Harvard professor on science and scepticism – and why climate deniers have run out of excuses

David Mitchell: ‘I have no reason to have these apocalyptic musings’

He has a happy home life, two sitcoms on the go and a new book in the offing – so why is the comedian still so crotchety?

Edwin Frank: ‘The best art is often powerfully irrelevant’

The head of the New York Review of Books Classics on how and why old books still matter

Derek Owusu: ‘Mental health issues that people find scary aren’t being talked about’

With a new book out on Stormzy’s imprint, the writer discusses men’s emotions, Ghanaian families and paying his brother £50 for each novel he reads

‘I guess that’s revealing’: David Rubenstein on Trump and the weight of history

The billionaire is also an interviewer – in July, Mike Pompeo told him something about the president that seems newly significant

Dafne Keen of His Dark Materials: ‘Lyra taught me to not follow rules’

Facing down fascists in the BBC’s Philip Pullman adaptation is child’s play for an actor whose improv left Wolverine speechless. The prodigy talks jellyfish, religion and her night out with Lin-Manuel Miranda

Emma Forrest: ‘I have a shelf just of the books my exes gave me’

The writer and director on how her new novel came to her in dreams, the three female artists who’ve influenced her most, and the restorative effect of Rachel Cusk’s trilogy

Julian Barnes: ‘Do you expect Europe to cut us a good deal? It’s so childish’

His new book The Man in the Red Coat may be set in 19th-century Paris, but the Booker prize winner sees clear parallels with our lurid times. He talks nationalism, grief and writing ‘filth’

The hunt for Shakespeare’s library: ‘I couldn’t stop looking if I wanted to’

Stuart Kells has spent 20 years on the trail of the Bard’s books and manuscripts, which he believes have been scattered all over the world

Ariel Levy on Demi Moore: ‘She was sick of people trying to tell her who she should be’

From hosting a podcast about Jeffrey Epstein to ghostwriting for one of Hollywood’s most famous, the journalist reflects on life after her ‘trial by fire’

Peter Crouch: ‘I’ve got a photo of me and Mickey Rourke doing the robot’

The ex-England striker on playing Trivial Pursuit with his teammates, hiding from Mickey Rourke and not taking himself too seriously

Hisham Matar: ‘Writing is both the easiest and the most difficult thing’

The Libyan prize-winning author on how art helped him cope with his father’s disappearance – and the joys of Proust

‘Oh man, she’s back’: Elizabeth Strout on the return of Olive Kitteridge

Olive Kitteridge sold a million copies and won a Pulitzer. Can a follow-up recapture its magic? Elizabeth Strout talks about surprise success in her sixth decade

‘A need for deep respect’: Anna Krien on fiction, war and cultural appropriation

The Australian journalist’s first novel goes into contentious territory, portraying women of colour and an Iraq war veteran

Kathleen Jamie: ‘Nature writing has been colonised by white men’

The genre’s current boom is dominated by middle-class males, she says, but the author of Surfacing prefers to concentrate on ‘deep time’

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  • Péter Nádas obituary
  • ‘We felt someone was watching us’: author Rozina Ali on the untold story of Islamophobia in the US
  • Jane Eyre: A Musical review – more Disney romance than Victorian gothic
  • All About My Mother by Rachael Stirling review – a joyous love letter to Diana Rigg
  • What Should My Children Do? by Daniel Susskind review – the case for embracing tech in the classroom
  • ‘She blazed in and opened my eyes to the real world’: Readers remember Gloria Steinem
  • The Castle by Jon Ronson review – bizarre tales of modern masculinity
  • The Newer World by Sebastian Barry review – a near-miracle of storytelling
  • Better Go Mad in the Wild review – boozing, bantering hermits impart their spiritual wisdom
  • Our Noble Selves by Kate Atkinson review – quirky postwar nostalgia from the Life After Life author
  • Hawking by Graham Farmelo review – the dark side of genius
  • Let your mind wander, don’t retire and stop worrying: surprising ways to help save your brain from the cognitive cliff
  • Meera Syal looks back: ‘South Asians weren’t seen as funny. We sold you fags or served you curry’
  • 1984 review – brings new meaning to the word Orwellian
  • ‘It leaves holes inside of you’: graphic novel aims to remember the history and horror of genocide
  • The twilight of Edna O’Brien: son chronicles novelist’s dedication to her craft and the dread of loss
  • When Dad asked me to edit his novel, I wanted to say no – but ran directly towards the lion’s den
  • ‘I’m amazed a human being could do so much’: Gloria Steinem celebrated by Margaret Atwood, Dua Lipa, Lynda Carter and more
  • ‘Bold, brilliant, thrilling’: leading authors on the novels every school should teach
  • How posh are you? Do you have a therapist? What would you say to Trump at a party? Marina Hyde answers readers’ questions
  • ‘There is light at the end of this tunnel. But the tunnel is filled with sewage’: Marina Hyde on finding hope in political chaos
  • From Late Fame to Katseye: the week in rave reviews
  • A Long Winter review – hope, desire and subversion in Andrew Haigh’s beautiful winter western
  • How Gloria Steinem’s lifechanging stay in India shaped her approach to feminism
  • Holly Throsby: ‘I was proud to not make a breakup album’
  • The best recent poetry – review roundup
  • Kevin Powers: ‘I was ready to abandon Infinite Jest a thousand times’
  • The Golden Hours by Louisa Young review – this continuation of the Cazalet Chronicles is a total delight
  • People With Money by Jess Ho review – race, class and gender collide in this outlandish but overcooked satire
  • Hillary Clinton leads tributes to Gloria Steinem: ‘Her activism was rooted in optimism’

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