Margaret Atwood has said the plot of her book The Handmaid’s Tale, which tells a story of an authoritarian regime under which women are forced to reproduce, has become “more and more plausible” in recent years.
Speaking on BBC Radio 4’s Desert Island Discs, Atwood said she believed the plot was “bonkers” when she first developed the concept for the novel because the US was the “democratic ideal” at the time.
“It was the land of freedom … and people in Europe just didn’t believe that it could ever go like that,” she said.
“I’ve always been somebody who has never believed it can’t happen here. It can happen anywhere, given the circumstances.”
When asked about the book’s enduring popularity, Atwood told the show’s host, Lauren Laverne: “Well it’s a perennial possibility, right? Then in 2016 everything changed again, and we are now in that period where The Handmaid’s Tale has become much closer.
“Not the outfits. I don’t think we’re going to get the outfits, but the rest of it seems more and more plausible.”
The Handmaid’s Tale was published in 1985 and tells the story of a totalitarian and fundamentalist regime called the Republic of Gilead which takes over in the US and subjugates women who are forced to become slaves and bear children. The novel was dramatised in a TV series starring the US actor Elisabeth Moss in 2017.
The red cloaks worn by the handmaids have become a symbol of US protest against Donald Trump and the decision to overturn the Roe v Wade ruling on abortion.
“These kinds of regimes don’t last, partly because they become unsustainable. This particular one seems quite chaotic,” Atwood said.
“Also, let us not count America out. It’s first of all a lot more diverse than it might appear from a distance. Second, Americans are quite ornery.
“They do not like people telling them all to line up and do what they’re told. They really don’t like that, but they don’t like being bossed around by anybody right or left.”
Atwood’s follow-up story, The Testaments, was a joint winner of the 2019 Booker prize. In an interview with the Guardian in November, she said the very fact that filming for the first season of the novel had just finished was proof of hope for the US.
“The States is not a totalitarianism – yet,” she said. “Though moving towards a concentrated-power structure. If it were a full totalitarianism we would not be filming The Testaments at all. We’d be in jail, in exile or dead.”
