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Marina Lewycka, British-Ukrainian author, dies aged 79

The writer, who was born in a refugee camp in Germany after the war, won the Wodehouse prize for comic writing for her debut A Short History of Tractors in Ukrainian

‘A girl of genius’: archives unsealed of Amy Levy, queer Jewish writer admired by Oscar Wilde

Levy’s work was ‘ahead of her time’ and speaks to current debate around feminism, LGBTQ+ literature and Jewish identity, say researchers

The Silver Book by Olivia Laing review – a thin line of beauty

The world of 1970s Italian cinema is the glossy backdrop for an elegantly wrought but shallow novel

Loren Ipsum by Andrew Gallix review – chronically funny satire of the literary scene

Full of word games, in-jokes and grisly murders, this debut pours gleeful scorn on the pretensions of contemporary literary life

‘It’s notoriously hard to write about sex’: David Szalay on Flesh, his astounding Booker prize-winner

The novel’s protagonist is violent, libidinous and so inarticulate he says ‘OK’ some 500 times. So how did the author turn his story into a tragic masterpiece?

David Szalay wins 2025 Booker prize for ‘dark’ Flesh

The judges ‘had never read anything quite like it’, says panel chair Roddy Doyle, announcing the Hungarian-British author’s novel as the winner of the £50,000 award

The risky strategy of Booker winner Flesh pays off

The protagonist’s inner life is hidden from the reader in this highly original novel

Andrew Miller is bookies’ favourite to win 2025 Booker prize

The Land in Winter has shortest odds of victory, ahead of Kiran Desai’s The Loneliness of Sonia and Sunny

Love The Traitors and Only Murders in the Building? Visit The Mousetrap, says bold new director of West End perennial

Ola Ince, who has refreshed Agatha Christie’s record-breaking mystery, suggests ‘we all fancy ourselves as detectives’

Readers reply: Who is the most evil villain in fiction?

The long-running series in which readers answer other readers’ questions on subjects ranging from trivial flights of fancy to profound scientific and philosophical concepts

In Love With Love by Ella Risbridger review – a sexy celebration of romantic fiction

From Pride and Prejudice to Fifty Shades, a writer’s paean to the literature of desire

The Transformations by Andrew Pippos review – a tender study of an ordinary man doing his best

Pippos brings a quieter drama to his second novel, about a subeditor who has a midlife shakeup in the dying world of print journalism

Beasts of the Sea by Iida Turpeinen review – a hypnotic tale of the sea cow’s extinction

This hit debut from Finland is intensely readable, but could have delved more deeply into the links between human progress and environmental destruction

CD Rose awarded the 2025 Goldsmiths prize

The author has won the experimental literary fiction prize for his ‘dizzying, encyclopaedic’ fifth book, We Live Here Now

Harry Potter and the Philosopher’s Stone by JK Rowling audiobook review – an all-star outing

Cush Jumbo, Hugh Laurie and Matthew Macfadyen bring extra twinkle to Rowling’s magical tale

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← Older posts
  • Feminist History for Every Day of the Year by Kate Mosse review – the women who helped change the world
  • Marina Lewycka, British-Ukrainian author, dies aged 79
  • Jujutsu Kaisen: Execution review – spectacular if baffling anime is out to thrill and bewilder
  • ‘A girl of genius’: archives unsealed of Amy Levy, queer Jewish writer admired by Oscar Wilde
  • Gasp-worthy, clunky, a moral problem? Critics react to The Hunger Games: On Stage
  • The Silver Book by Olivia Laing review – a thin line of beauty
  • Christmas Karma review – Dickens adaptation has as much Yuletide spirit as a dead rat in the eggnog
  • Loren Ipsum by Andrew Gallix review – chronically funny satire of the literary scene
  • We Did OK, Kid: A Memoir by Anthony Hopkins review – a legend with a temper
  • The Running Man review – Glen Powell sprints through fun update of Stephen King future-shock sci-fi satire
  • ‘It’s notoriously hard to write about sex’: David Szalay on Flesh, his astounding Booker prize-winner
  • Jilly Cooper died of head injury suffered in fall at home, inquest hears
  • One Aladdin Two Lamps by Jeanette Winterson review – freewheeling reflections on life, art and AI
  • The Secret Santa Project review – festive romcom tries for the Love Actually style multiple story strands
  • The risky strategy of Booker winner Flesh pays off
  • David Szalay wins 2025 Booker prize for ‘dark’ Flesh
  • Andrew Miller is bookies’ favourite to win 2025 Booker prize
  • Poem of the week: Leaves by Frederic Manning
  • 100 Meters review – mesmerising anime of young athletes in search of physical and spiritual high
  • Love The Traitors and Only Murders in the Building? Visit The Mousetrap, says bold new director of West End perennial
  • The Mushroom Tapes review – Erin Patterson through the eyes of Helen Garner, Chloe Hooper and Sarah Krasnostein
  • Gren Gaskell obituary
  • I’m a committed introvert – but no AI will take away the joy I get from other people
  • Readers reply: Who is the most evil villain in fiction?
  • Could urban farming feed the world?
  • ‘Ambition is a punishing sphere for women’: author Maggie Nelson on why Taylor Swift is the Sylvia Plath of her generation
  • Novels I haven’t finished reading are piling up by my bedside. What if that’s a good thing?
  • ‘They’re not wolves – they’re sheep’: the psychiatrist who spent decades meeting and studying lone-actor mass killers
  • ‘For the women who gave birth in the dark’: a portrait of motherhood in Gaza
  • Lee Tamahori, director of Once Were Warriors and James Bond movie Die Another Day, dies aged 75

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