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Vaim by Jon Fosse review – the Nobel laureate performs a strange miracle

In the Norwegian master’s latest example of ‘mystical realism’, one man makes a dreamlike, hypnotic voyage through life

David Szalay wins 2025 Booker prize for ‘dark’ Flesh

The judges ‘had never read anything quite like it’, says panel chair Roddy Doyle, announcing the Hungarian-British author’s novel as the winner of the £50,000 award

The risky strategy of Booker winner Flesh pays off

The protagonist’s inner life is hidden from the reader in this highly original novel

Andrew Miller is bookies’ favourite to win 2025 Booker prize

The Land in Winter has shortest odds of victory, ahead of Kiran Desai’s The Loneliness of Sonia and Sunny

Love The Traitors and Only Murders in the Building? Visit The Mousetrap, says bold new director of West End perennial

Ola Ince, who has refreshed Agatha Christie’s record-breaking mystery, suggests ‘we all fancy ourselves as detectives’

Readers reply: Who is the most evil villain in fiction?

The long-running series in which readers answer other readers’ questions on subjects ranging from trivial flights of fancy to profound scientific and philosophical concepts

In Love With Love by Ella Risbridger review – a sexy celebration of romantic fiction

From Pride and Prejudice to Fifty Shades, a writer’s paean to the literature of desire

The Transformations by Andrew Pippos review – a tender study of an ordinary man doing his best

Pippos brings a quieter drama to his second novel, about a subeditor who has a midlife shakeup in the dying world of print journalism

Beasts of the Sea by Iida Turpeinen review – a hypnotic tale of the sea cow’s extinction

This hit debut from Finland is intensely readable, but could have delved more deeply into the links between human progress and environmental destruction

CD Rose awarded the 2025 Goldsmiths prize

The author has won the experimental literary fiction prize for his ‘dizzying, encyclopaedic’ fifth book, We Live Here Now

Other People’s Fun by Harriet Lane review – darkly comic tale of envy and revenge in the Insta age

The worlds of the haves and the have-nots clash, in a toxic friendship between two women brought together by a school reunion

Alan Hollinghurst wins David Cohen lifetime award for ‘pioneering’ novels

Author says he is ‘overcome with emotion’ after winning £40,000 honour for books including The Line of Beauty and The Swimming-Pool Library

Sara Pascoe’s novel wins inaugural Jilly Cooper award

Weirdo, the comedian’s ‘daring look at young womanhood’, is the first winner of new honour named after the Riders novelist, adding to the Comedy women in print prizes

Tom’s Crossing by Mark Z Danielewski – House of Leaves author returns with a 1200-page western

A quarter century after that landmark cult novel, this new epic has aspects of brilliance but seems designed for academic study rather than readerly enjoyment

Horror show: North American box office records lowest monthly total since 1997

Halloween weekend failed to make numbers jump, adding up to the weakest monthly performance – other than during the pandemic – for three decades

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← Older posts
  • Loren Ipsum by Andrew Gallix review – chronically funny satire of the literary scene
  • Loren Ipsum by Andrew Gallix review – chronically funny satire of the literary scene
  • Loren Ipsum by Andrew Gallix review – chronically funny satire of the literary scene
  • Loren Ipsum by Andrew Gallix review – chronically funny satire of the literary scene
  • Loren Ipsum by Andrew Gallix review – chronically funny satire of the literary scene
  • The Running Man review – Glen Powell sprints through fun update of Stephen King future-shock sci-fi satire
  • ‘It’s notoriously hard to write about sex’: David Szalay on Flesh, his astounding Booker prize-winner
  • ‘It’s notoriously hard to write about sex’: David Szalay on Flesh, his astounding Booker prize-winner
  • ‘It’s notoriously hard to write about sex’: David Szalay on Flesh, his astounding Booker prize-winner
  • ‘It’s notoriously hard to write about sex’: David Szalay on Flesh, his astounding Booker prize-winner
  • ‘It’s notoriously hard to write about sex’: David Szalay on Flesh, his astounding Booker prize-winner
  • One Aladdin Two Lamps by Jeanette Winterson review – freewheeling reflections on life, art and AI
  • The Secret Santa Project review – festive romcom tries for the Love Actually style multiple story strands
  • Vaim by Jon Fosse review – the Nobel laureate performs a strange miracle
  • The risky strategy of Booker winner Flesh pays off
  • David Szalay wins 2025 Booker prize for ‘dark’ Flesh
  • Andrew Miller is bookies’ favourite to win 2025 Booker prize
  • Poem of the week: Leaves by Frederic Manning
  • 100 Meters review – mesmerising anime of young athletes in search of physical and spiritual high
  • Love The Traitors and Only Murders in the Building? Visit The Mousetrap, says bold new director of West End perennial
  • The Mushroom Tapes review – Erin Patterson through the eyes of Helen Garner, Chloe Hooper and Sarah Krasnostein
  • Gren Gaskell obituary
  • I’m a committed introvert – but no AI will take away the joy I get from other people
  • Readers reply: Who is the most evil villain in fiction?
  • Could urban farming feed the world?
  • ‘Ambition is a punishing sphere for women’: author Maggie Nelson on why Taylor Swift is the Sylvia Plath of her generation
  • Novels I haven’t finished reading are piling up by my bedside. What if that’s a good thing?
  • ‘They’re not wolves – they’re sheep’: the psychiatrist who spent decades meeting and studying lone-actor mass killers
  • ‘For the women who gave birth in the dark’: a portrait of motherhood in Gaza
  • Lee Tamahori, director of Once Were Warriors and James Bond movie Die Another Day, dies aged 75

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