So hot right now … but will Lynch set the art world alight with Post-it note efforts such as the one above?Photograph: Steidl/Fondation CartierThis tiny but painstakingly coloured piece recalls Rothko's window-like creationsPhotograph: Steidl/Fondation CartierLynch's doodles appear on anything he had to hand. Cinematographer Frederick Elmes was the director of photography on Blue Velvet, so it's possible this drawing was completed during its filmingPhotograph: Steidl/Fondation CartierA surrealistic landscape, complete with doppelganger trees and raining shadowsPhotograph: Steidl/Fondation CartierTwo works that form a kind of mini-suite are drawn on a matchbox. Is the long central shape in the lower one a cave opening or a towering beast?Photograph: Steidl/Fondation CartierA piece drawn on a napkin during the filming of Dune, which was released in 1984Photograph: Steidl/Fondation CartierAn assortment of random shapes showcases a practised shading techniquePhotograph: Steidl/Fondation CartierA whirlwind of scribbled thoughts, images and conversational fragments, possibly from Lynch's desk or beside his phonePhotograph: Steidl/Fondation CartierAnother mindbending landscape, this one drawn on a notepad and reminiscent of DalíPhotograph: Steidl/Fondation CartierThe top image, again on a Post-it, looks like a twisted kind of musical notationPhotograph: Steidl/Fondation CartierA horse-like contraption fitted with what could be hinges – or hidden eyesPhotograph: Steidl/Fondation CartierFinally, the director captures perfectly the likeness of a 'Brunsing pig'. Or maybe that's 'Brunoing'. If you haven't seen either, they both look like thisPhotograph: Steidl/Fondation Cartier