Jon Savage: “A perfect fusion of music and image.” Photograph: Soul Jazz Books
Design by John Holmstrom of Punk magazine. “A very good example of their cartoon format.” Photograph: Soul Jazz Books
Design by Jamie Reid. “An archetypal image for an archetypal single.” Photograph: Soul Jazz Books
Art and design by Crass. “Crass record sleeves were a mine of information, illustration and agit-prop design” Photograph: Soul Jazz Books
“A fantastically influential sleeve, which includes a detailed breakdown of the cost of production.” Photograph: Soul Jazz Books
Design by Steve McGarry. “The image of hustlers is from a 1964 Time magazine. The Panik were the first group to be managed by future Joy Division and New Order manager Rob Gretton.” Photograph: Soul Jazz Books
“A great illustration of the suburban nightmare.” Photograph: Soul Jazz Books
Montage by Linder Sterling, design by Malcolm Garrett. “I worked with Linder Sterling when we produced a magazine called The Secret Public. From the first moment I saw her work, I was a huge fan, and very pleased to work with her. I also love the colour that Malcolm Garrett put behind the central image, which is so striking. It's a feminist image on a pop record sleeve for a song about sexual excess, which manages to be at once extremely true and also very funny.” Photograph: Soul Jazz Books
“Their first single, a good example of the underground imagery prevalent in punk.” Photograph: Soul Jazz Books
