Lucy Foley 

Lucy Foley: ‘Angus, Thongs and Full-Frontal Snogging didn’t talk down to teenage girls’

The crime author on rediscovering Edith Wharton, and the brilliantly twisted author who changed her ideas about writing
  
  

Lucy Foley.
‘I read Agatha Christie far too young’ … Lucy Foley. Photograph: Philippa Gedge

My earliest reading memory
I have a distinct memory of sitting by the bookshelves in the first house we lived in and suddenly realising I could understand the words in lots of the books. It was like discovering I could perform magic – pulling out one book after the other and disappearing into other worlds. I bumped into a childhood friend the other day who told me she remembers being annoyed when I came for a play date at her house and the first thing I wanted to do was see if she had any books I hadn’t read.

My favourite book growing up
I loved Jill Barklem’s Brambly Hedge series as a girl. The exquisite intricacy of the pictures, their evocation of a hidden world … I’m enjoying rediscovering them with my four‑year‑old. The High Hills has a wonderful, Tolkien-esque quest element to it.

The book that changed me as a teenager
Angus, Thongs and Full-Frontal Snogging by Louise Rennison. I found this and the rest of the Confessions of Georgia Nicolson series absolutely addictive, hilarious and so good in their understanding of teenage girls, their friendships, their humour. I felt like these books really “saw” me and my friends and did so compassionately, without talking down to us.

The writer who changed my mind
Patricia Highsmith. Before I read her books, and specifically The Talented Mr Ripley and The Two Faces of January, I thought I had to like a character in order to want them to succeed. But Highsmith, in her brilliantly twisted way, puts us inside the mind of a sociopath in Ripley – we’re taken to that really uncomfortable place of rooting for a character we know we should hate. We’re desperate for him to get away with it. Or is that just me?

The book that made me want to be a writer
I Capture the Castle by Dodie Smith. In a way it’s a book about writing: the protagonist’s father is a (failing) writer; the protagonist-narrator keeps reminding us that we’re being told a story. I loved it for its intimacy, and for its rich evocation of a family and the main character’s coming of age.

The book I reread
I could pick pretty much any Agatha Christie. I enjoyed them when I first read them (far too young!) for their puzzle element. Coming back to them as an adult, I realised how much darker some of them are: Endless Night, And Then There Were None, Crooked House and The Pale Horse are all examples. Now I come back to them as a writer to try to work out how she did it.

The book I discovered later in life
Edith Wharton’s Glimpses of the Moon. I read The House of Mirth and The Age of Innocence years ago, but hadn’t come across this. When I read it recently, I remembered just how much I love her writing.

The book I am currently reading
The Wilderness by Angela Flournoy. It’s the story of five black women and their friendship over 20 years – including careers, marriages and motherhood – amid the political, economic and social upheaval of modern America. The characters and their friendship are so well realised; it’s utterly absorbing.

• Lucy Foley’s The Midnight Feast is published in paperback by HarperCollins. To support the Guardian order your copy at guardianbookshop.com. Delivery charges may apply.

 

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