
Robert McCrum loves a good list: after the author and Observer writer spent over two years compiling and reviewing his 100 best novels written in English, he’s now back to craft a “definitive” list of essential works of nonfiction.
This second top 100 is a continuation of McCrum’s investigation into “the classic titles that form the core of Anglo-American literary culture: the 100 key texts that have had a decisive influence on the shaping of the ‘Anglo-American imagination’, economically, socially, culturally and politically,” wrote McCrum. “The King James Bible of 1611, for instance, is every bit as influential as the greatest novelists of the past 300 years, from Austen to Waugh.”
When McCrum concluded the best novel list last year, debate ensued: the perceived lack of diversity prompted this response from Rachel Cooke and the creation of this alternative list, courtesy of our readers.
This time, we’re giving readers a head start by putting the question to you first. McCrum has disclosed that he will unveil the list chronologically, starting on Sunday, with titles exploring the distant past up to the present day – beginning with The Sixth Extinction: An Unnatural History by Elizabeth Kolbert.
Which are the titles that you think should make the list? Leave up to three nominations in the comments, and please explain your choices.
Update: you’ve already shared enough brilliant recommendations for a lifetime of reading – keep them coming! Here are some of your suggestions so far:
.@PublishersWkly Number one is The Education of Henry Adams. I don't know what number two is, but it's a long way back.
— Andrew Case (@AClaudeCase) January 27, 2016
@tonyriches @GuardianBooks I don't know about all time, but Krakatoa by Simon Winchester is very good. In Cold Blood is a favorite, too.
— Patrycja Karolina (@pk_adams) January 27, 2016
@guardian @martabausells "On Writing" by #StephenKing. Best #book about writing out there.
— DCDaddy (@dcdaddysWT) January 27, 2016

As is traditional in such situations, I'm going to say it out that the books I like are better than the books you like so there.
I don't presume to know what the "best nonfiction books of all time*" (*in English) are but if I had to compile a list of the nonfiction books I've read that really made me feel like I was a better informed person for having read them, I'd say these would feature:
1) Friday Night Lights, HG Bissinger: A book that, for me, exploded my preconceptions about the state of race relations, education and sport in America from an English naivete to something more aware. A book I read not knowing anything about the sport it talked of, but which was more than merely a book about sport. Genuinely tragic and shocking at times, a book I never hesitate to recommend to others. I began reading it thinking that school sport, while something I hated, was something vital and important and that the fierce competition criticised by some leftist thinkers was good (a viewpoint I suppose is Nietzschean) - I finished reading it realising that what people like Chomsky say about the dangers of tribal sporting culture perhaps has more validity than I gave it credit for.
2) Ways of Seeing, John Berger: The book that, when I read it at university, made me realise that if you think studying popular or new media is a silly, worthless pursuit - or in some way a soft subject - you are quite simply wrong. A look at art that teaches the reader how to be visually literate, and encourages them to apply this to everything rather than just the "classics". In a time when there's a constant call for mass media and "geek" pursuits to be "taken seriously" it is by reading Berger and Barthes that people will be able to talk seriously about comics, games and television.
3) Practical Criticism, IA Richards: What Berger did for visual art for me, Richards did for literature. Not so much teaching me how to spot themes and techniques in the hoary old canon, but how to read in a way that makes every book more rewarding. There's something of a belief that "analysing" a book is antithetical to "enjoying" it. Reading about the elements of literary and cultural analysis made me realise, I think, that not only does being able to analyse make one able to enjoy things more deeply without consciously needing to sit down and write an essay about everything, knowing the theories of criticism let you articulate what you like about things all the more eloquently.
It's rather annoying that the books have to be in English, otherwise I would have suggested Sei Shonagon's Pillow Book as something I found immensely interesting.