When the Oscar-winning director brought Mary Shelley's gothic tale to the stage with Benedict Cumberbatch and Jonny Lee Miller, was the result fantastic or frightening?
Mary Shelley's 1818 tale of scientist Victor Frankenstein and his damaged, vengeful Creature thrilled and scandalised 19th-century London ... and has cast a long shadow over stage and screen ever since Photograph: Tristram Kenton/GuardianWhen Slumdog Millionaire and 127 Hours director Danny Boyle decided to bring Frankenstein to London's National theatre, he was adamant two actors must alternate in its symbiotic lead roles. 'Frankenstein and the Creature literally create each other: every other night they reinhabit each other,' explained Boyle Photograph: Tristram Kenton/Guardian'Could we find two actors who could do it?' Boyle wondered. He went for 'telly's Benedict Cumberbatch' and 'American telly's Jonny Lee Miller' – partly because of their deep mutual respect (pictured above). 'The dialogue between us is selfless and co-operative,' Cumberbatch assured reporters Photograph: Catherine Ashmore/National TheatreUnfortunately, playwright-adapter Nick Dear's dialogue was not of the same quality. 'The script often dragged as badly as the Creature's foot when he learned to walk,' observed the Express's Paul CallanPhotograph: Catherine Ashmore/National TheatreBut critics agreed this was about the only flaw in a production that provoked general ecstasy. 'Frankenstein is the most viscerally exciting and visually stunning show in town,' panted Charles Spencer in the TelegraphPhotograph: Catherine Ashmore/National TheatreBut which actor had the edge? Was it Cumberbatch, with his 'unforgettable', 'funny and vicious' performances? Photograph: Tristram Kenton/GuardianOr Miller, who, according to the Independent's Paul Taylor, 'takes us further into the feeling'?Photograph: Tristram Kenton/GuardianThe verdict was as divided as the audience's sympathies, but there was one thing on which even the gore-and-nudity-hating Daily Mail agreed: 'Despite the hype, the show does not disappoint' Photograph: Tristram Kenton/Guardian